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Koan IV

Koan IV

May. 02, 20207 Min.
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In Seán Martin’s Koan IV, an opening provocation suggests that the things we see continually hide the things we’d like to see. What we see after this is mist in a Scottish landscape. Martin’s patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.

Original title Koan IV


Seán Martin


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